This oil painting on wood presents a contemporary vision of New York City, with particular reference to the iconic Radio City Music Hall. The composition unfolds along a wet, misty avenue, where the verticality of the skyscrapers dissolves into a veiled atmosphere, wrapping the scene in a halo of mystery.

A cool color palette—dominated by blues, grays, and violets—contrasts with the warm accents of artificial light: the headlights of cars, the orange glimmers of shop windows, and, most notably, the vertical red “Radio City” sign, which serves as both the visual focal point and a symbol of urban vitality.

Through loose, expressive brushwork, the artist suggests rather than defines the architectural forms and movements of the city, endowing the piece with an atmospheric quality that transcends mere topographical representation. The perspective, marked by the avenue's vanishing lines, leads the viewer's gaze toward a space where the city seems to dissolve into light, inviting reflection on the relationship between the monumental and the ephemeral in the urban experience.

Taken as a whole, the work offers a poetic evocation of New York — a metropolis where architectural grandeur and the fleeting nature of the moment coexist, captured here with a sensitivity that unites the real and the intangible.

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This oil painting on wood presents a contemporary vision of New York City, with particular reference to the iconic Radio City Music Hall building. The composition revolves around a wet and foggy avenue, where the verticality of the skyscrapers is diluted in a veiled atmosphere that envelops the scene in a halo of mystery.

The predominance of a cool palette—with blues, grays, and violets—contrasts with the warm accents of artificial lights: car headlights, the orange flashes of shop windows, and, in particular, the vertical red “Radio City” sign, which acts as a focal point and symbol of urban vitality.

Through loose, expressive strokes, the artist suggests rather than defines the architectural forms and movements of the city, giving the work an atmospheric quality that transcends mere topographical representation. The perspective, marked by the avenue's receding horizon, leads the eye toward a space where the city seems to blur in the light, inviting the viewer to reflect on the relationship between the monumental and the ephemeral in the urban experience.

As a whole, the work offers a poetic evocation of New York: a metropolis where architectural monumentality and the fleeting nature of the moment coexist, captured here with a sensitivity that combines the real and the intangible.