I take as teachers the great masters of the s. xv., I decide to observe them closely, study the figures, faces ... to finally reveal an intimate and personal Renaissance, where the material retreats with elegance to give way to the imperishable world of mystical forms.

I use the collage technique: with Valencian silks on a wooden support, I am inspired by Mediterranean art and take classical sculpture as a key reference in its most recent artistic manifestation.

You can see details of not painted or unpainted. Unlike what can be interpreted as a void in the composition, the unpainted is a strategy to create mystery: so that it is the recipient who paints, who finishes the work with their gaze.

The pictorial composition is totally studied, it is a game of tensions and weights in search of balance.