The artist invites by e-mail a group of friends and people close to her, to participate in their project, asking them to send a photograph capable of provoking a significant memory, leaving aside their aesthetic characteristics at the time of selection. Digital photography, that is, the visual manifestation that most closely approximates "evidence" in common sense, is then the starting point for the reinterpretation of the memory it contains, in a transfer that uses the language of painting as a medium. Thus, a second look, the painter's gaze, interferes between the initial space and its representation in the memory, retelling something that - only from now on - also belongs to it. "Curatorial text by Vanina Saracino.