Drawing gender BALGUI This landscape addresses the complexity of flows. It is a natural setting in which two opposite natures meet. One formed by candelabra trees, previously modeled in 3D, using proportions according to regular geometric patterns. It is a deep forest, where the rules of the Apollonian world reign hegemonically (as Nietzsche observed). The forest is divided down the center, and is invaded by a meandering black riverbed. This channel represents the Dionysian flow, in constant movement, change, opposite to the previously mentioned Apollonian world.

In this black flow, a surprising fact is also observed. On the one hand, a highway whose use is the circulation of motorized vehicles. And on the other hand, a vigorous water channel descends from the heights. The unusual contingency shows us how a convergence of both flows is produced.

This convergence of flows is an unusual phenomenon, it is an allegory of a consensus. A meeting point of two forces, apparently incommunicado, of different natures that, however, dissolve their limits to merge. A mix in which it is no longer clearly distinguishable where the path ends and the path begins, and vice versa. Typical of Dionysian nature. This is connecting. The connection of two beings. Two beings who have decided to break with the idealism of Plato, and who go down to the adventure of ephemeral transformations.